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MICROPHONES FOR vocals

A curated selection of the top microphones for vocals

Click image to purchase and for additional details

Neumann U87

3295

Neumann U87

  

  • Type: Condenser microphone
  • Connectivity: XLR
  • Polar Pattern: Switchable between cardioid, omnidirectional, and figure-8
  • Frequency Response: 20Hz - 20kHz
  • Sensitivity: 20 mV/Pa
  • Impedance: 200 ohms
  • Ideal Use: Professional studio recording for vocals, acoustic instruments, and ensembles
  • Additional Details: Three selectable polar patterns, low-cut and pad switches, and a classic sound that is a favorite among many producers and engineers. 

AKG C414

1254

AKG Pro Audio C414 XLII Vocal Condenser Microphone

  

  • Type: Condenser microphone
  • Connectivity: XLR
  • Polar Pattern: Nine selectable polar patterns
  • Frequency Response: 20Hz - 20kHz
  • Sensitivity: 23 mV/Pa (-33 dBV) re 1 V/Pa
  • Impedance: 200 ohms
  • Ideal Use: Professional studio recording for vocals, acoustic instruments, and ensembles
  • Additional Details: Nine selectable polar patterns, three attenuation levels, and three bass-cut filters, allowing for a wide range of recording possibilities.

Audio-Technica AT4053B

699

Audio-Technica AT4053B Hypercardioid Condenser Microphone

 

  • Type: Condenser microphone
  • Connectivity: USB
  • Polar Pattern: Cardioid, Bidirectional, Omnidirectional, and Stereo
  • Frequency Response: 20Hz - 20kHz
  • Sensitivity: 4.5mV/Pa (1kHz)
  • Impedance: 16 ohms
  • Ideal Use: Podcasting, Voiceover, Streaming, and Gaming
  • Additional Details: Onboard gain control, mute button, headphone jack for monitoring, and available in various colors.


Audio-Technica AT4050

149

Audio-Technica AT4050:


  • Type: Condenser
  • Connectivity: XLR
  • Sensitivity: -36 dB (15.8 mV) re 1V at 1Pa
  • Polar Pattern: Cardioid, omnidirectional, figure-of-eight
  • Frequency Response: 20 Hz - 18 kHz
  • Ideal use: Vocals, acoustic guitar, drum overheads
  • Additional details: It has a switchable 80 Hz hi-pass filter and 10 dB pad, as well as three polar patterns for versatile recording options.

AKG Pro Audio C214

409

AKG Pro Audio C214:


  • Type: Condenser
  • Connectivity: XLR
  • Sensitivity: 20 mV/Pa (-34 dBV)
  • Polar Pattern: Cardioid
  • Frequency Response: 20 Hz - 20 kHz
  • Ideal use: Vocals, acoustic guitar, drum overheads
  • Additional details: It has a low cut filter switch and a -20dB attenuator switch to provide flexibility in recording loud sound sources.

Shure SM7B

499

Shure SM7B:


  • Type: Dynamic
  • Connectivity: XLR
  • Sensitivity: -59 dBV/Pa
  • Polar Pattern: Cardioid
  • Frequency Response: 50 Hz - 20 kHz
  • Ideal use: Broadcast, Podcasting, Voice-over, Singing
  • Additional details: It has a switchable bass roll-off and mid-range boost to tailor its response to different uses.

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Microphones for vocals

Choosing A Microphone for Vocals

Welcome to our guide on choosing the best microphone for vocals! Whether you're a singer, a songwriter, or a voiceover artist, having the right microphone can make all the difference in capturing the clarity, warmth, and emotion of your performance. In this guide, we'll cover the key factors to consider when selecting a microphone for vocals, as well as some examples of popular microphones used by vocalists.


Microphone Types: There are several types of microphones used for recording vocals, but the most common are dynamic and condenser microphones. Dynamic microphones are rugged and can handle high sound pressure levels, making them ideal for recording loud vocals and live performances. Condenser microphones, on the other hand, are more sensitive and can capture more detail and nuance in vocals, making them ideal for studio recordings.


Popular dynamic microphones used for vocals include the Shure SM58 and the Electro-Voice RE20. These microphones are designed to capture the full range of a singer's voice, from the low end of the chest voice to the high end of the head voice. They also have a cardioid polar pattern, which means they capture sound from the front while rejecting sound from the sides and rear, making them ideal for recording in noisy environments.


Popular condenser microphones used for vocals include the Neumann U87 and the AKG C414. These microphones have a wider frequency response than dynamic microphones, which means they can capture more detail and nuance in a singer's voice. They also have a cardioid polar pattern, similar to dynamic microphones, but with the added ability to switch to other polar patterns such as omnidirectional or figure-8.


Microphone Specifications: When choosing a microphone for vocals, there are several specifications to consider:

  • Frequency Response: The frequency response of a microphone determines the range of frequencies it can capture. For vocals, you'll want a microphone with a frequency response that covers the range of human singing (typically 80Hz to 15kHz or higher for sopranos).
  • Sensitivity: The sensitivity of a microphone determines how much sound it can capture. For vocals, you'll want a microphone with a sensitivity that's high enough to capture the nuances and dynamics of a singer's voice without picking up too much background noise.
  • Self-Noise: Self-noise is the noise that a microphone generates on its own, without any external sound sources. For vocals, you'll want a microphone with a low self-noise rating, so that it doesn't introduce unwanted noise into your recordings.
  • Maximum SPL: Maximum SPL (sound pressure level) is the loudest sound a microphone can handle before distorting. For vocals, you'll want a microphone with a high maximum SPL, so that it can handle loud singers and high volume recordings without distorting.


Additional Tips:

  • Microphone Placement: When recording vocals, it's important to experiment with microphone placement to find the sweet spot that captures the best sound. Generally, you'll want to position the microphone about 6 to 12 inches away from the singer's mouth, and experiment with different angles to find the best sound.
  • Pop Filter: To prevent popping sounds from "p" and "b" sounds, it's a good idea to use a pop filter with your microphone.
  • Shock Mount: A shock mount can help isolate the microphone from vibrations and handling noise, resulting in a cleaner sound.
  • Reflection Filter: A reflection filter can help reduce unwanted room noise and echo in your recordings, especially if you're recording in a less-than-ideal space.


Conclusion: Choosing the right microphone for vocals can be a challenging task, but with the information in this guide, you should be well-equipped to make an informed decision when choosing the best microphone for recording or amplfying vocals. 

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