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MICROPHONES FOR voice over

A curated selection of the top microphones for voice over work

Click image to purchase and for additional details

Sennheiser MKH 416

998

Sennheiser Wired Professional MKH 416-P48U3 

  

  • Type: Condenser microphone
  • Connectivity: XLR
  • Polar Pattern: Switchable between cardioid, omnidirectional, and figure-8
  • Frequency Response: 20Hz - 20kHz
  • Sensitivity: 20 mV/Pa
  • Impedance: 200 ohms
  • Ideal Use: Professional studio recording for vocals, acoustic instruments, and ensembles
  • Additional Details: Three selectable polar patterns, low-cut and pad switches, and a classic sound that is a favorite among many producers and engineers. 

Neumann TLM 103

1192

Neumann TLM 103

  

  • Type: Large-diaphragm condenser microphone
  • Connectivity: XLR
  • Frequency Response: 20Hz to 20kHz
  • Sensitivity: -33dBV/Pa
  • Polar Pattern: Cardioid
  • Ideal Use: Voiceover, broadcasting, podcasting, vocals, acoustic instruments
  • Additional Details: The TLM 103 is a professional-grade microphone known for its clear and detailed sound quality. It has a low self-noise level and a high maximum SPL, making it suitable for capturing a wide range of sounds. The cardioid polar pattern helps to isolate 

Audio-Technica AT4053b

699

Audio-Technica AT4053B Hypercardioid Condenser Microphone

  

  • Type: Large-diaphragm condenser microphone
  • Connectivity: XLR
  • Frequency Response: 20Hz to 20kHz
  • Sensitivity: -33dBV/Pa
  • Polar Pattern: Cardioid
  • Ideal Use: Voiceover, broadcasting, podcasting, vocals, acoustic instruments
  • Additional Details: The TLM 103 is a professional-grade microphone known for its clear and detailed sound quality. It has a low self-noise level and a high maximum SPL, making it suitable for capturing a wide range of sounds. Th


Electro-Voice RE20

449

Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D


  • Type: dynamic
  • Connectivity: XLR
  • Sensitivity: -52 dBV/Pa
  • Polar Pattern: cardioid
  • Frequency Response: 45 Hz - 18 kHz
  • Ideal use: broadcast, voice over, podcasting, vocals, and recording instruments
  • Additional details: The Electro-Voice RE20 is a popular choice for voice over work due to its smooth and natural sound, high level of directional isolation, and low handling noise. Its unique Variable-D technology also helps to maintain a consist

Audio-Technica AT2020

99

Audio-Technica AT2020 Cardioid Condenser Studio Microphone


  • Type: Condenser
  • Connectivity: XLR
  • Frequency Response: 20Hz - 20kHz
  • Polar Pattern: Cardioid
  • Sensitivity: -37dBV/Pa
  • Max SPL: 144dB SPL
  • Ideal Use: Voice-over, podcasting, home studio recording
  • Additional Details: High SPL handling and wide dynamic range for versatile use, includes pivoting stand mount and protective pouch.

Shure SM7B

499

Shure SM7B:


  • Type: Dynamic
  • Connectivity: XLR
  • Sensitivity: -59 dBV/Pa
  • Polar Pattern: Cardioid
  • Frequency Response: 50 Hz - 20 kHz
  • Ideal use: Broadcast, Podcasting, Voice-over, Singing
  • Additional details: It has a switchable bass roll-off and mid-range boost to tailor its response to different uses.

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Microphones for Voice Over & Voice Acting

Choosing The Best Microphone For Voice Work

Welcome to our guide on choosing the best microphone for voice over and voice acting! Whether you're a professional voice actor or just starting out, having the right microphone is crucial for delivering clear and high-quality voice recordings. In this guide, we'll cover the key factors to consider when selecting a microphone for voice over and voice acting, as well as some examples of popular microphones used by professionals in the industry.


Microphone Types: There are two main types of microphones used for voice over and voice acting: condenser and dynamic. Condenser microphones are generally more sensitive and can capture more detail, making them ideal for studio environments where background noise is minimal. Dynamic microphones, on the other hand, are more rugged and can handle high sound pressure levels, making them ideal for recording in noisy environments.


Popular dynamic microphones used for voice over and voice acting include the Electro-Voice RE20 and the Shure SM7B. Both of these microphones have a cardioid polar pattern, which means they capture sound from the front while rejecting sound from the sides and rear. This makes them ideal for recording voice overs and voice acting, where you want to capture your voice while minimizing background noise.


Popular condenser microphones used for voice over and voice acting include the Neumann TLM 103 and the Audio-Technica AT4053B. These microphones have a wider frequency response and are more sensitive, making them ideal for capturing subtle nuances in your voice.


Microphone Specifications: When choosing a microphone for voice over and voice acting, there are several specifications to consider:

  • Frequency Response: The frequency response of a microphone determines the range of frequencies it can capture. For voice over and voice acting, you'll want a microphone with a frequency response that covers the range of human speech (typically 80Hz to 15kHz).
  • Sensitivity: The sensitivity of a microphone determines how much sound it can capture. For voice over and voice acting, you'll want a microphone with a sensitivity that's high enough to capture the subtle nuances in your voice without picking up too much background noise.
  • Polar Pattern: The polar pattern of a microphone determines how it captures sound from different directions. For voice over and voice acting, a cardioid polar pattern is ideal, as it captures sound from the front while minimizing sound from the sides and rear.
  • Self-Noise: The self-noise of a microphone refers to the amount of noise it produces when no sound is being recorded. For voice over and voice acting, you'll want a microphone with a low self-noise to ensure that your recordings are clean and clear.


Additional Tips:

  • Microphone Placement: When recording voice overs and voice acting, it's important to place your microphone at the correct distance from your mouth. A good rule of thumb is to position the microphone about 6 to 12 inches away from your mouth.
  • Pop Filter: To prevent popping sounds from "p" and "b" sounds, it's a good idea to use a pop filter with your microphone.
  • Shock Mount: A shock mount is a device that isolates your microphone from vibrations and handling noise. This is especially important if you're recording in a noisy environment or if you tend to move around a lot while recording.


Conclusion: Choosing the right microphone for voice over and voice acting can be a daunting task, but with the information in this guide, you should be well-equipped to make an informed decision. At our store, we offer a wide selection of microphones that are suitable for voice over and voice acting. If you have any questions or need further guidance, don't hesitate to contact us!

microphones for voice over

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